Donnie Hons and the Church Picnic Polka

By Gary E. McKee

donniehons.jpg

It’s picnic season again, time to check the tire pressure in the car, and head down the road to a church picnic. To help get you in the mood, order Donnie Hons’ single song cd The Church Picnic Polka from the PolkaBeat store. Also available as a digital download.

Donnie is a singer – songwriter with deep Lavaca County roots. He grew up in the polka/waltz culture, but his musical tastes guided him to an old-school type country music style which perfectly suits his baritone voice. While still in high school, Donnie started singing with the legendary Bobby Lee Nightriders in the Victoria area. Since then he has performed with many country bands and sat in with all flavors of bands at numerous picnics and venues singing and plying his bass. The Nightriders still perform four times a year at Da Costa Hall to packed dance floors as they provide “country and western dancing the way it was meant to be.”

Inspiration in a deer blind         
John Rivard, the former writer for TPN instilled an idea into Donnie’s mind that he should write a song about the church picnics of the area. The idea kept floating around in his brain, until one slow day in a deer blind in the Hill Country, he started jotting down some words for a song. While searching for a melody to put them to, the obvious choice would be a polka beat as that sound is what sets most picnics apart from other gatherings. After smoothing out the lyrics, he enlisted Tommy Detamore of Cherry Ridge Studios in Floresville who contributed his studio and his steel guitar to help bring it together. Chris Rybak showed up to provide the accordion sound and Daniel Jobb of The Red Ravens paired with Donnie’s bass to make the backbone rhythm.

The resulting single, The Church Picnic Polka, is a lively trip around Central Texas as the singer and his date attempt to dance their boots off at all the picnics from Prazska Pout in Praha to Shiner to Hostyn (where Donnie sang the song with the Czechaholics at the recent picnic.) The melody, like the lyrics, incorporates many of the musical styles that will be heard this summer: polka, country steel guitar, and conjunto. You can hear this song on radio shows hosted by Alfred Vrazel, Danny Zapletal, Clinto, and TKO on Texas Thunder.

Where the music's gone
In 2010, Donnie teamed with Joel Nava to record a single “Where the Music’s Gone” which laments the lack of old style country music being played on the radio today. In an interesting twist, he was contacted by Dorin Marincash of Romania (the European country) to get a copy of this song written by Donnie. Dorin is a radio producer that goes by the name “The Transylvanian Cowboy.” Old school country and Texas music has always been by far more popular in Europe than the U.S.

One of Donnie’s next projects will be in the Cowboy Poetry category collaborating with Bobby Flores to record Donnie’s moving poem about a snow-bound Montana Cowboy in 1880 writing a letter back home to his folks at Christmas time.

Donnie Hons can be contacted on Facebook and be seen performing with Gone Country at the Sweet Home Dance Hall, so get a hold of his Church Picnic Polka cd and see how many of the picnics that he sings about you can make this summer. Check out the list of church picnics on polkabeat.com.

New pages, advertisers on polkabeat.com

Polkabeat.com is tickled pink to announce some cool additions to the website. First, welcome to new home page advertisers Texas Slavic and German Warehouse and John Dujka's Saturday Morning Polka Show on 1390 KULP in El Campo. TSG has a great online store filled with all things Polish (Polska), Czech, German, Texan, and everything for your home bar and man cave! John Dujka is now flying solo on the KULP Saturday morning polka show. His wife, Julie, decided to pursue other interests after 11 1/2 years of co-hosting the show with John. He says you'll love the new format and encourages requests submitted by Thursday evening to be included on the Saturday show. Contact him at johndujka@mac.com or call 979-830-0309.

New pages on the site will make it easier than ever to keep your dance schedule up to date. The Church Picnics page lists the events during picnic season in Texas held from April through October. The Texas and US Festivals page keeps tabs on music festivals throughout the year. Great resource to plan your travels.

To launch the Church Picnics page, we put together a video to the tune of Church Picnic Polka, written and performed by Donnie Hons. His new song is available on CD single or digital download in the Polka On! Store. Get yourself a cold pivo and some fried chicken and enjoy the video!


26th Annual Accordion Kings & Queens June 6

Texas Folklife will bring its annual celebration of the state’s accordion roots music to Houston’s Miller Outdoor Theatre on Saturday, June 6, at 7:00 p.m. In keeping with its mission to preserve and present Texas’s diverse musical heritage, the festival will feature stars and legends in polka, Cajun zydeco, and conjunto. This year’s accordion stars will include Debra Peters and the Love Saints, Jerome Batiste and the Zydeko Players, and the Grammy-winning Los Texmaniacs and special guests National Endowment for the Arts National Heritage Fellow Flaco Jiménez, Augie Meyers, and Rick Treviño. The accordion stars will be joined onstage by this year’s Big Squeeze Grand Prize Winners: Elizabeth Kelley (Cajun/Zydeco), Brandon Hodde (Polka) performing with the All Around Czechs, and Rito Peña (Conjunto). 

The Grammy-winning Los Texmaniacs hardly need an introduction. The band is comprised of founder Max Baca on bajo sexto, Josh Baca on accordion, Noel Hernandez on electric bass, and Daniel Martinez on the drums. Los Texmaniacs won the 2010 Grammy award for Best Tejano Album, Borders y Bailes, on the Smithsonian Folkways label. Their sound has been called “hip music everybody can relate to” and is comprised of conjunto, rock, and rhythm and blues. Los Texmaniacs will be joined onstage by National Heritage Fellow Flaco Jiménez, who recently won a Grammy Lifetime Achievement Award and has been called the “King of Conjunto,” Augie Meyers, and Rick Treviño. It will be a special night as the new Texmaniacs CD, Americano Groove, will be released. The album was produced by Steve Berlin (of Los Lobos), and includes vocals from a roster of Texas music royalty: Alejandro Escovedo, Joe Ely, Kevin Fowler, and Rick Trevino. Additional guest musicians include David Hidalgo (Los Lobos), Steve Berlin, and Augie Meyers. It's a mix of five traditional conjunto tracks, three country tracks, and four others that blur genres between rock and TexMex.

Jerome Batiste and the Zydeko Players will bring the Cajun/zydeco beat to the festival this year. Batiste has described himself as a “Creole Cowboy,” and has described the type of music he and his band play as a little bit of everything—Cajun, Creole, jazz, zydeco, blues, rock & roll, and reggae. Based in Crosby, Texas—on the Louisiana side of Houston—the band spreads the gospel of Zydeco Nation throughout the region.

Debra Peters and the Love Saints hail from Austin where they perform a mix of sounds—blues, zydeco, polka, western swing, and classic country. The band has traveled around the globe playing their blend of Texas roots music. Ms. Peters is also an educator. She has created a series of educational videos and teaches the accordion with a special emphasis on encouraging young women to take up the national instrument of Texas.

This year’s event will again be co-emceed by writers and radio hosts Joe Nick Patoski and Tony Diaz. The festival is free and open to the music-loving public. Festivalgoers wanting seats in the pavilion area can pick up their free tickets the day of the festival at the Miller Box Office or become members of Texas Folklife and receive reserved tickets in advance.

One of the important ways Texas Folklife carries out its mission is by introducing the culture bearers of the past to the culture bearers of the future. This will be on display at the 26th annual Accordion Kings & Queens Festival as the three young winners from the Big Squeeze Accordion Contest take to the stage to play with these powerhouse performers. Not only will the young players benefit from this joyous musical connection, but those lucky enough to be in the audience will have the opportunity to witness this generational passing of the torch.

“We are very much looking forward to this year’s Accordion Kings and Queens Festival,” said Executive Director Cristina Ballí. “The concert was started with the idea of promoting the accordion and its role in the different genres of roots music found throughout the state. It has become a full-out celebration of that music, featuring musical legends and stars, and it also has become the breeding ground for the next generation of squeezeboxers with our newly crowned Big Squeeze Champs taking to the stage. And we are thrilled that Los Texmaniacs is using the Festival this year to release their new CD. It will be a joyous night of celebrating all things accordion—with dancing and merry-making, all under the stars in Houston, Texas. Put on your dancing shoes or boots and join us!”  

Celebrate with Accordion Stars in Vegas

The 16th Annual Las Vegas International Accordion Convention will be held June 22-25, 2015, at the Gold Coast Hotel located at 4000 West Flamingo Blvd., in Las Vegas, Nevada.  Sponsored by Accordions International, this year celebrates the return to a summer event with the theme “Summer Solstice.”  Notable this year is nearly a complete new lineup of accordion stars!

Two-time Grammy winner Riders in the Sky (Nashville, TN) is set to open the event on Monday evening, June 22.  Grayson Masefield (Zurich, Switzerland), five-time world champion and the only person to have won both the Virtuoso and Entertainment categories of the prestigious Accordion Coupe Mondiale (CIA) will be performing Tuesday evening.  Also set for Tuesday evening, Mary Tokarski (Northford, CT), Accordions International 2015 Honorary Director will be performing.  The famous group EUROPA (Orlando, FL) will be performing Wednesday evening plus the legendary Joey Miskulin will appear.  Thursday evening will feature the 8th installment of the Las Vegas International Accordion Orchestra under the direction of the esteemed Joan Cochran Sommers. 

Completing the lineup of stars are Paul Betken (Phoenix, AZ), Jerry Cigler (Chicago, IL), Gina Brannelli, Gordon Kohl, Stas Venglevski, plus Vegas comedian Pete Barbutti!  There will be dancing Wednesday night to Europa. 

Registration fee for the event includes 7 superb Las Vegas banquet meals with concerts plus over 40 workshops and master classes taught by top experts.

Visit AccordionStars.com for complete pricing options, or contact the Las Vegas International Accordion Convention at +1 801-486-1695 for personal assistance. 

Garrett Neubauer: Polka Accordion King

By Gary E. McKee

For almost a decade, Texas Folklife has been hosting a Big Squeeze accordion competition spotlighting young accordionists across Texas. The competition in 2014 marked the first time that grand prize winners would be selected in three categories – polka, conjunto and Cajun/zydeco. Big Squeeze winner in the polka category was Garrett Lee Neubauer of Altair. Garrett has been playing accordion since the age of 12. When his father, Daryl, passed away prematurely, he felt that the best way to honor him would be to pick up his father’s accordion and learn how to play it. His father had been an accordionist in the Tony Janak Polka Band. Between managing a rice farm, and playing, Daryl took time to guide a young Mark Hermes (of the Czechaholics) on the art of playing accordion. When Garrett made his decision, Mark returned the family favor by showing him around the keys of Darryl’s accordion, which had once belonged to Bobby Jones. Lawrence Ruether, Garrett’s grandpa, also played the accordion and taught him some songs. As Garrett’s skill increased, other members of the Czechaholics, Brian Klekar and Greg and Brian Svetlik mentored Garrett on the intricacies of music and performing. I remember going backstage several years ago at a Czechaholics gig at SPJST Lodge 88 in Houston and finding Garrett playing along while behind the curtains, learning the songs.

Down by the Pond    
Down a sandy country road that leads to a lush, serene oak grove that Garrett calls home, he would spend evenings practicing while sitting in the yard or out by the stock pond. He has ample time for this as he works in the maintenance department at Rice School district just five minutes away. Both he and his dad graduated from there. His neighbors, Gladys and Joe Salinas, big polka fans, would enjoy the notes floating across the cow pasture in the evenings.

As Garrett’s confidence and licks improved through the many hours of practice, he was asked more frequently to sit in with the Czechaholics and Texavia. The Tony Janak Polka Band has reformed as the J & S Playboys, and Garrett sits in occasionally to fill his father’s shoes. Though he loves playing all genres of music his favorite is the Czech polkas and waltzes that he grew up listening to his father play.

His desire to learn more about the unique instrument grew and now he owns four keyboard and two button accordions including the one he won at the Big Squeeze competition. In case anyone stops by and wants to jam, Garrett also owns an electric bass guitar, a keyboard, an electric six-string guitar and a set of drums. The six-string guitar is what he spends more time on now as he is still in the learning stage.

Big City Venues
The Big Squeeze competition broadened Garrett’s horizon as he went from playing the smaller Central Texas venues to performing at the Bob Bullock Texas History Museum in Austin and then in front of thousands of people at the Miller Outdoor Theatre in Houston at the annual Accordion Kings & Queens event. The large audience did not intimidate him. “I just got up there and did what had to be done.” The competition gave him a chance to see and talk to outstanding accordionists his own age playing Cajun and conjunto styles. The 2015 Big Squeeze performance will give Garrett a chance to perform once again at the big venues and to turn over his title as Accordion King to a new young performer. Garrett has some advice for those novices: “The accordion is a difficult instrument to play and the only way to master it is to practice, practice, practice.”

The Texas Dream Band, a country/polka band out of Hallettsville is Garrett’s regular gig now, playing keyboards and accordion in this band composed of the offspring of other country/polka musicians. But whenever he isn’t playing with Texas Dream, Garrett can be found with his accordions ready to take the stage wherever polka is happening. There is no doubt that his father would have been proud.

[Editor’s note: Garrett Neubauer performed at the 2015 Big Squeeze Finals on April 25 in Austin, where Brandon Hodde of Holland, TX, was crowned the new polka accordion king. Both will perform at the 26th Annual Accordion Kings & Queens event on Saturday, June 6, at Miller Outdoor Theatre in Houston.]

No Sad Faces

By Gary E. McKee

Mark Halata @ Moravia Store. Gary E. McKee photo

Mark Halata @ Moravia Store. Gary E. McKee photo

Polka: a lively couple’s dance of Bohemian origin, with music in double meter, or so says the dictionary. People who know better define polka dancing as aerobics set to music, accompanied with beer and with no sad faces on the dancers.

Summer Sundays in Central Texas are filled with the gatherings of thousands of people enjoying homemade food, fellowship and dancing to the ethnic sounds of polka and waltz music at church “picnic” fundraisers.

Old school bands, such as the Joe Patek Orchestra, Adolph and the Gold Chain Bohemians, Jimmy Brosch, the Vrazels, the Bacas, Adolph Hofner, and dozens more Czech bands maintained the European musical heritage that had been brought over from the old country.

After World War II, the older musicians and their followers faded with age and their fans dispersed in search of jobs, but the passion for keeping the old music alive still burned. Fewer replacements played the bandstands, the venues disappeared, and the taste of the crowds changed. Yet, bands such as the Praha Brothers, the Ennis Czech Boys, the Shiner Hobo Band, the Red Ravens, the Czechaholics, and the Dujka Brothers still carry the torch of old-time polkas and waltzes.

One of the most dedicated musicians determined to soldier on and keep the Czech music alive in both language and tempo, is accordionist Mark Halata and his band, Texavia.

This writer sat down with Mark and asked him ten questions about his music.

  1. Why did you choose the accordion?  Growing up in Houston, my sister had an accordion but abandoned the lessons. I picked it up and began teaching myself how to play when I was about six. Dad always had Czech music on the radio in the car and house, and I played along with the radio. I started playing publicly when I was eight or nine years old. When my dad would drop me off around friends, I would always turn the car radio volume down so they would not hear the Czech music. This was the mid 70s and polkas were not the cool thing to be listening to. When I was sixteen years old, a family friend took me to see a zydeco concert, and I discovered a whole new world of accordion music.

  2. Tell us about your family heritage. I am a second generation American. My granddad was born in European Moravia in 1894. [There was no Czechoslovakia until after World War I; prior to the war there were three states: Moravia, Bohemia, and Silesia.] When my grandfather was five years old, his family immigrated to Moravia [Texas] and my father was born and raised here and later moved to work in Houston to earn more money to support his family. His new home in Southeast Houston was heavily populated with similar Czech families. So, most weekends we came back to Moravia where I continued to be surrounded by Czech culture and music. At the gatherings at the Moravia Store, where Czech was still spoken, weddings, reunions, and such, people always asked me to break out my accordion and play the old songs.

  3. Is there any difference between Czech, German, Cajun, and Mexican polkas? They are all the same songs; the individual performer adds his personal touch to them.

  4. You cover a Gram Parsons [founder of the alternative country music scene in the 60s] song, which is probably not on any of your peers’ play lists, what are your influences? I love the country music of several decades ago, such as Buck Owens and George Jones. Gram helped revive that style. Jo Ann Castle [accordionist for Lawrence Welk]  is also a favorite.

  5. Watching you play, at times you close your eyes and seem to go into a zen-like state. Is this a style? When I play my accordion, I just concentrate on making each song the best it can be. It’s all about the music and preserving it through quality.

  6. Where were some of your memorable gigs? I’ve played the Lincoln Center in New York, played the Kennedy Center in Washington D.C. on the fourth of July, and we were the last polka band to play the Bill Mraz Ballroom in Houston before it burned. [Mraz’s had been the hub of Czech music for decades in Houston.] I love playing in Moravia at the Country Store, my second home. [Moravia is southwest of Schulenburg.]

  7.  Do you see yourself as a leader in the Czech community of Texas? I see myself as a Texan first; being Czech makes it a little better. For years Czech was the third most common language in Texas. I belong to the Knights of Columbus, and perform most songs in Czech.

  8.  What would be your ideal gig? Winning the nonexistent Grammy polka award and playing on live television. [Recently the Grammy association eliminated the best polka band division much to the disgust of hundreds of bands and hundreds of thousands of fans.]

  9. What kind of accordion do you play? A Gabbanelli chromatic accordion with an eighty bass button. [It’s showing its age, and if anyone knows where to get a replacement please contact Mark.]

  10.  Tell me about them your band, Texavia,. The band’s name reflects my feeling of pride in being Texan and Czech. The band members change due to personal schedules, as we all play for the love of the music, because the money certainly isn’t the driving force. The core members are Bruce Brosch,  the son of polka legend Jimmy Brosch, and Greg Machac, whose father, Paul was a drummer for Brosch for decades. Other key members are Harlan Kubos, and Mike Gest.

Mark’s website is www.HalataMusic.com. The Moravia Store is a very special place. The store has been around in various forms, since 1889 and is open five days a week. The Filip family operates a family friendly saloon with a large collection of vintage advertising signage. There is a great little dance hall in the back. Their website is www.themoraviastore.com. In the words of Alfred Vrazel, “Where there’s polka, there’s a party.”

Weimary Wonderfest Set for Dec. 6

By Theresa Parker

Originally appeared in November 2014 issue of Texas Polka News.

Patrick and Sue Gibson

Patrick and Sue Gibson

The land around Weimar, where I spent many a summer vacation on my grandpa’s farm, has always been known for the three Cs – cotton, corn and cattle. Imagine my surprise when I learned the land is also good for growing grapes. It kind of took Patrick and Sue Gibson by surprise, too.  
         “Sometimes life gives you a direction to follow that is not a part of your plans. When we purchased the land, we certainly did not expect to be establishing a vineyard and tasting room! One thing led to another, ideas were tossed about, and when mixed with a passion for working the land and great wine, this turned into our happy accident.”
         
The Gibsons planted vines in 2009, and now have a little over four acres of Blanc du Bois and Lenoir (Black Spanish) - roughly 3,000 vines- and boast 13 labels and counting at The Weimary on Sedan Road!
         
Originally from El Paso, Patrick and Sue had lived in Austin for 39 years until he came to live in the farmhouse at the vineyard full time a while back to tend to the farm. They now have a house in Weimar, and while Sue still occasionally commutes to Austin for work, they are loving small town life! 
         
You know the wine is going to be good because Patrick tends to the vines and grapes with the lively sounds of polka music floating through the vineyard. “We even play polka during our volunteer harvest to keep it fun. Lindsi (Graham), our Operations Manager, grew up watching polka with her father every Saturday morning, so she gets a kick out of it as well,” Sue said. The Ennis Czech Boys will be providing some live polka music at the Weimary’s Wonderfest on Saturday, Dec. 6.
        
The Gibsons found a unique way to tie in family to the labor of love in producing the wines.  All the labels on the wine bottles feature vintage photos of family members or those who have direct ties to the land itself. “Not only are the pictures gorgeous, but they each tell a story and are a great way to keep their legacies alive,” Sue said. “It is such fun to explain the labels during our tastings and see our guests’ faces light up as they share in our stories.”
         
So which wines would they recommend for a polka party to go with sausage and sauerkraut? “For a fabulous polka pairing, you can go red or white,” Sue said. “This food combination has beautiful, bold tastes that go well with medium to full-bodied wines with plenty of flavor. “For the whites, our Fred and Frieda, a Blanc du Bois done in a Riesling style, would be lovely with the sauerkraut. Our Silk Stocking, a semi-sweet Blanc du Bois reminiscent of a Pinot Grigio, would pair with the sauerkraut or spicy sausage. “If you are a red fan, our Texas Merlot, The Competition (which is lighter), or Strong Arm Jack (our full-bodied Petite Sirah) would both perfectly accompany a good sausage.” 

silk stocking

 

New Release: Brave Combo @ Blob's Park

By Theresa Parker

Brave Combo celebrated its 35th anniversary all year long last year with shows at various venues. The most anticipated that didn’t disappoint was the band’s sold-out performance at the Kessler Theater in Dallas in August. It was the only performance by the original band members – Carl Finch, Tim Walsh, Lyle Atkinson and Dave Cameron. Three more reunion shows in December featured Carl and early band members Bubba Hernandez, Mitch Marine and Jeffrey Barnes (still with the group). And they are just wrapping up a series of shows in the Denton and Dallas area in March.

The band recently released a new CD – Live at Blob’s Park (denTone). All part of the 35th anniversary celebration? “We had not planned to record an album this year, but we hadn't planned to not record one either,” Carl says.

THE Place for East Coast Polka
Live at Blob’s Park is a good news/bad news release. The good news: it showcases some of the band’s best party tunes. The bad news: it marks the end of an era as two weeks after their performance, the popular Blob’s Park dance hall in Jessup, Maryland, was razed to make way for a mega church.

Blob’s Park was built by Max Blob in 1933. It became THE place to play for Northeast polka bands like the Rheinlanders. Brave Combo had been playing rock venues in the DC/Baltimore area and had built a good fan base in both cities by the time they had their first gig at Blob's. “A lot of our fans up there really love to dance. And many of them are quite good at it. So, Blob's was a perfect spot for many reasons. It was between the two cities in a quiet and safe area, had a great dance floor and lots of parking,” Carl recalls.

As Brave Combo continued to play at Blob’s over the years, their audience grew and the little ol’ band from Texas became one of the best draws at the club, pulling in polka fans and non-polka fans. “Playing at Blob's meant you had made it in a certain corner of the polka market. That was definitely gratifying,” Carl says.

Oddball Gigs
Brave Combo, whose music has been described as nuclear polka and polka on acid, has had many gratifying moments during the past 35 years. Carl says it’s impossible to narrow it down to a Top 10. “All our performances are important and stand out for different reasons. Some of my favorite performances didn't have anything to do with career advancement, just art, like when we marched in Macy's Thanksgiving Day Parade or when we played on the Labor Day Telethon and Jerry Lewis introduced us, or when we played at The Simpsons 200th episode party on Sunset Strip. Our first few gigs in NYC were amazing and really humbling. This list of oddball gigs could go on for days,” he says.

Like being the house band for the annual Halloween Costume Contest in Boston thrown by Tom and Ray Magliozzi, better known as Click and Clack, syndicated columnists and Car Talk radio hosts. The band can count other media personalities as fans, like Drew Carey. Brave Combo played for seven of Drew’s Vegas shows last year.

A few international performances stand out as well.

“One gig that really blew my mind was when we played Berlin, headlining an alternative polka festival. The band before us, a polka band from Berlin, opened their set with one of our original songs. We had never played Germany before. A week later we were playing at Westfest and a couple of members of that band just happened to be in Texas with a documentary film crew, shooting various bands at Westfest,” Carl says. 

Brave Combo's history is full of strange, unique events. 

They played a concert in Holland with a Brave Combo tribute band, named Strange Combo. And on their first trip to Japan, they were presented with the same kimonos as The Beatles were presented when they performed in Japan. “The same company sponsored both the Beatles tour and ours. Our promoters had super high hopes,” Carl says. 

Back in Texas, Brave Combo is always a big draw at the National Polka Festival in Ennis every Memorial Day weekend and Westfest in West every Labor Day weekend. “Our very first gig at Westfest was a mind-blower,” Carl says. “We talked C.W. Cernosek into letting us set up in a corner of a little tent on plywood. People went immediately nuts. That was a very important moment.”

A moment that would establish Brave Combo’s acceptance by the traditional polka community.

The current band features Carl, Jeffrey, who has been with the BC for more than 30 years, Alan Emert Mansfield and Danny O’Brien who joined in the early 1990s and Little Jack Melody who has been with the band since 2009.

Blob’s Park CD is available in the Polka On! Store.

Homegrown Opry Experience

By Gary E. McKee

The Jordan Sisters at the Fayette County Country Music Opry in La Grange/Gary E. McKee photo

The Jordan Sisters at the Fayette County Country Music Opry in La Grange/Gary E. McKee photo

There is a growing phenomenon in the small towns Central Texas of weeknight concerts in public halls given by area entertainers and emerging stars seeking an outlet for their music.

            The term “Opry” originated at WSM, an AM Nashville radio station that first went on the air in 1925. WSM would broadcast a classical music and opera show followed by WSM Barn Dance. The story goes that in December of 1927, at the end of the first hour of classical music, the sound of a rushing locomotive filled the airwaves, and George D. Hay started his Barn Dance Show by announcing that “You have just heard opera. Now you’re going to hear opry.” With that introduction, DeFord Baily played a classic train song on his harmonica in contrast to the previous symphonic orchestra. Hay then spoke into the radio microphone “…  For the next three hours, we will present nothing but realism. It will be down to earth for the ‘earthy’.” The show was soon renamed Grand Ole Opry and country music was changed forever. For the country music impaired readers, the Grand Ole Opry on high wattage WSM was heard hundreds of miles from Nashville. The show provided inspiration to hundreds of future country music stars listening to it on the family radio (pre-television days.) After the show was moved to the Ryman Auditorium in downtown Nashville, these Opry inspired musicians would go on to change music. Maybe you have heard of them, they had names such as Johnny Cash, Bill Monroe, Dolly Parton, Patsy Cline, Marty Robbins, Ernest Tubb, and hundreds more.

            This tradition of bringing country music to the “earthy” people continues today in the form of small town opries throughout Central Texas. Though not directly associated with Nashville, each opry is operated differently to achieve a common cause. The formats are similar, there is a house band composed of veteran musicians, with local guest volunteer performers who have been vetted. This gives local people of all ages, with talent, an opportunity to stand in front of a crowd that is not their family and friends, with the spotlights in their eyes, and a crack band backing them up, to see if they have what it takes to become professional. Some of the performers are youngsters, which makes this a good proving ground. On the flip side, many folks have no desire to “make it big,” but just love to perform and this is their opportunity.

            The Fayette County Country Music Opry in La Grange is managed by a small group of citizens who fourteen years ago decided that the town needed an affordable live music venue. Every third Monday of the month, anywhere from 200 to 500 people gather at the rented KC Hall, a special guest performs with a paid back-up band. Frenchie Burke, the Cajun fiddler, was there recently, and the Dujka Brothers played in December. At a recent performance the Jordan Sisters, Minnie (17) and Ella (14), blew the crowd away with their intertwining melodies and intricate fiddle work. Check them out on Facebook. The February show featured a Johnny Cash tribute with an impersonator performing the “early” Cash music. Admission to the shows is $5, which after expenses, leaves very little money in the kitty, however the proceeds are plowed back into a pool. This pool is used to pay for performers with different musical styles to display their music to Central Texians. The City of La Grange and local merchants provide assistance in various forms. This Opry is truly a work of love for Violet Zbranek, Cathy Walla, Geri Mendel, and Donella Cernosek the ladies who make this show possible.

            Giddings, in Lee County, has the Lone Star Opry, which kicked off in 1993.  This Opry is sponsored by the local Rotary Club. What started out as a fundraiser for the club has turned into their most successful “community service” project. Proceeds are used to fund scholarships for deserving high school students in Lee County. During the past 18 years, the club has awarded dozens of $1,000 scholarships. On the first Monday of each month an average of 500 people attend the show, with a large percentage being from out of town. They come in early, save their seats, and then shop or eat in town, contributing to local economy. Previous shows have highlighted Billy Mata and Ken Brothers.

            The Silver Wings Ballroom in Brenham is the home of the Bluebonnet Opry, organized n 1998. Every third Thursday, guest artists perform with a great band, that polkabeat fans will recognize two members: John Dujka and Duane Wavra. Every year the Bluebonnet Opry donates $5,000 – $6,000 to the local Brazos Valley Hospice.

            The Gulf Coast region music lovers are fortunate to have the Flag City Opry in Edna, every third Tuesday of the month, to see experienced musicians backing up such artists as Justin Trevino, Amber Digby and Tony Booth. Shane Lala, of the Red Ravens, is a frequent performer or band member. Local church and 4H groups sell refreshments and gate proceeds, after expenses, go to local hospices.

            The Fayetteville Country Music Show, shepherded by the Peevler brothers, Mark and Greg, recreates the old style “hoot-nanny and barn dance” of yesteryear. The Peevlers spent their childhood playing music with their cousins who had a popular western swing band, The Country Cousins, in the mid 1900s. Mark’s daughter, Amanda, continues the family tradition by singing both solo and with her father and uncle. This opry performs every last Monday of the month in the Shelby American Legion Hall. Proceeds from the show go to various veteran assistance programs.

            If you like “picking and grinning with the chickens,” then the Farm Street Opry in Bastrop is right in your barnyard. This monthly show is held in the Bastrop Convention & Exhibit Center. Recently, the Peevler Family from the Fayetteville Opry opened for Bobby Flores .

            Traditional country music is alive and well in Central Texas thanks to the hard work of many people.

First Monday
Lone Star Opry Giddings

First Tuesday
The Gathering Music Show Geronimo

Second Tuesday
Crossroads Country Opry Victoria

First Thursday
Farm Street Opry Bastrop

Third Monday
Fayette County Country Music Opry La Grange

Third Tuesday
Flag City Opry Edna
Comal Country Music Show New Braunfels

Third Thursday
Bluebonnet Opry Brenham

Fourth Monday
Fayetteville Country Music Show Shelby


And Now for Something Completely Different

By Gary E. McKee

Joe Klaus, Mike Campasso and John Merz are Off the Grid.

Joe Klaus, Mike Campasso and John Merz are Off the Grid.

This writer was introduced to the idea of the Off The Grid Band at Sengelmann Hall, after a rousing performance by the Czech Melody Masters. The band was packing up and people were slowly exiting. Weaving its way through the conversations, scraping chairs and latching instrument cases, the strains of an accordion playing the Rolling Stones 1966 song Paint It Black as a polka caused several of us folks of a certain age to give a questionable look at each other. Were we really hearing the Stones on accordion after Texas Czech polkas and waltzes? I tracked the sound to where the now former CMM accordionist was just finishing playing. In the ensuing conversation, I learned that he, Joe Klaus, played such tunes in a group called Off the Grid Band (OTGB).

OTGB are a trio based in the Austin, San Antonio, New Braunfels area. The members are now “Otto” Joe Klaus, “Hans” Mike Campasso and “Wolfgang” John Merz. OTGB formed in 2011 with a great guitar player and had been gigging around the area playing classic country. The guitarist was injured in a car accident, so Joe and Mike began the search for a replacement. After several false starts, John Merz auditioned and it was an instant match. It was decided that they should quit banging their heads on the wall competing with dozens of bands playing the same songs. You know, do something off the grid. So they began working the kinks out of the polka, country and rock and roll songs they knew.

In 2012, utilizing their old contacts, they began getting gigs billing themselves as a FUN, entertaining band. Over the next year, this developed into weekly gigs at restaurants in New Braunfels, South Austin and San Antonio. Last year was a hectic year as their popularity grew. An example - on the last weekend of October, they played three gigs on Friday, two on Saturday and finished on Sunday at their weekly polka party at the Bier Garten in San Antonio. The highlight of their season happened in November when they were asked to play in the beer tent on race day at the Circuit of the Americas Formula One Grand Prix. The total performance count for October: 21.

A person might wonder if they got tired setting up and tearing down all their equipment. They have a couple of secret weapons besides John’s guitar. Joe plays a Roland electronic accordion, which enables him to play, among many melodies, a bass line and the accordion keyboard at the same time. Mike keeps the rhythm on an instrument known as a Zendrum, an electronic drum set mounted on a guitar body, or as Joe refers to it as “drums on a stick.” So three guys with three instruments are able to perform thousands of different style songs easily and economically.

A typical set of FUN music, might include polka versions of songs by Dire Straits, Rolling Stones, and the Mysterians,  a little of “normal” Bob Wills ala Faded Love thrown in, followed by German Beer Hall songs, the Mavericks, and Adolf Hofner covers, and, yes, they play A Já Sám. This wide array of music appeals to many audiences fueling their success.

The band’s motto: “May the Oktoberfest road go on forever and the Polka Party never end.” (Borrowing from the Robert Earl Keen song.) And every time they play its Oktoberfest!

For more information on this versatile FUN band, you can find them on Facebook or contact Joe at 512-560-0440. Did the writer mention that they are a FUN band?

Alfred Vrazel: Humble Man with a Love of Polka

By Theresa Parker

Alfred played with the Red Ravens at the PoLK of A fundraiser at Sengelmann Hall in February 2014. Photo by Gary E. McKee

Alfred played with the Red Ravens at the PoLK of A fundraiser at Sengelmann Hall in February 2014. Photo by Gary E. McKee

“Jak se mas,” I ask Alfred Vrazel. “Pomaly,” he says. “Slow.”

He may feel like he’s moving slowly these days at age 74, but his routine since he and the Vrazel’s Band retired in 2009 proves otherwise. A typical day for Alfred begins by rising about 6 or 7 a.m. (earlier in the summer) and having breakfast with his wife of 53 years, Bernice. She then heads into the computer room to manage paperwork for their farming and ranching enterprise. Alfred travels about a mile down the road to the farm shop where he meets his brother, Albert. The two still farm and ranch together. They spend the morning checking and feeding the cattle and also repairing farm equipment.  Brothers Anton and Lawrence, who have retired from farming, usually stop by to visit and no doubt offer their two cents of advice. “We always clicked good together,” Alfred says of his brother partners in farming and music.

It’s busier during the summer as Alfred and Albert still raise corn and wheat. He reports good yields for both crops this past summer.  Sometimes it’s so busy in the summer months, Alfred doesn’t even eat lunch and works until dark, but occasionally he tries to indulge in an afternoon nap when he can. “We don’t farm as much as we used to. We’re slowing down a little bit every year,” he says. Pomaly.

Alfred and Bernice are members of Sts. Cyril and Methodius Catholic Church in Marak, and when the church needed someone to manage their parish hall, Bernice and her sister, Patsy Gaines, volunteered, which meant Alfred did, too. It was to be for one year and, “Seven years later, we’re still managing the hall booking weddings and reunions. It keeps us busy,” he says. Managing the church hall seems a natural fit since the Vrazel family managed the SPJST Hall in Buckholts from 1957-1971.

Still Time for Polka
Alfred also likes to spend time in his music room. He and Bernice just recently had the time to hang all the plaques Alfred and the band received over the years. He also now has time to listen to some of the Vrazel’s recordings. “We played in Washington, D.C., in 1976 for the bicentennial celebration. They recorded us, five days worth of music. Now, 38 years later, I just started listening to it,” he says, noting, “It sounds pretty good.” And, of course, he likes to pick up his button box and play a song or two every now and then. The sax too, but not as much.

One of the plaques Alfred hung on the wall was presented to him this past September in Cleveland, Ohio, where he was inducted into the International Polka Hall of Fame. He was honored for his role as a polka DJ for the past 59 years on KMIL in Cameron. What made it even more special was Alfred is the first Texan to be inducted into the hall, which is located in Chicago.

Alfred says he was apprehensive at first about going to Cleveland to accept the award. “They didn’t know much about our brand of polka in Texas and we didn’t know about them,” he says. But that feeling quickly passed as they all gathered to celebrate a common bond – polka. “They were very respectful of Texas polka and the ceremony was first class all the way.”

2015 Marks 60 Years On Air
The Vrazel’s Polka Show will celebrate 60 years on the air this coming summer. The show started as the Vrazel Polka Hour, a live broadcast with the Vrazel’s Band every Sunday on KMIL 1330 AM. The station had just come on the air and needed programming and the Vrazel’s were a young band just getting started and they needed publicity. The show was on the air from 1 to 2 p.m. then the band would head out to a gig. “Back then, they had Sunday night dances from 9 to midnight, so we had plenty of time to do the show and get to a dance,” Alfred recalls.

The band did the live show from 1955 to 1960. “The Sunday dances started being held earlier so we didn’t have time to do live radio performances. Plus, the recording of polka music on labels like TNT was starting to take off,” Alfred says. From 1960 to about 2000, Alfred did the broadcast live. Bernice, and later daughter, Cindy, would come to the station to take phone-in requests and sort through the mailed dedications the station received.  Now the show is mostly pre-recorded.

Wal-Mart Regulars
The weekends have changed for Alfred and Bernice. “For over half a century, we had to be somewhere on Saturdays and Sundays. Now, we enjoy sitting on the couch on the weekend,” Alfred says. At the height of the Vrazel’s popularity, the band was performing 125 dates a year. “We’d play a dance in Dallas on Saturday night, then head to Corpus Christi to play with The Majeks the next day. We were a lot more sturdy back then,” Alfred says laughing.

And as all wives have to make adjustments to their schedules as their husbands retire, Bernice says it’s taken some getting used to having Alfred home on the weekends. “When Alfred was on the road with the band, I had the choice of either going to the dance or staying home to do what I wanted, like shopping. Now, he’s underfoot all the time. But I have to admit, he’s good at steering the Wal-Mart cart,” Bernice says, laughing.

Alfred still goes into the radio station to record his Sunday show, where he has his own recording studio, usually on Thursdays or when it works best around his farming gig. Most of the music is on his laptop, but he also uses a turn table, cassette and CD players. He plays a lot of music by the Texas bands, but also features some music by the out-of-state bands and now gets the bulk of his requests through email. The Internet has broadened his listening audience. People from all over the world can tune in to the show at kmil.com. “It makes me wish I was young and starting the band again. Back when we started, we had to put posters out to advertise our dances. Now, within a few minutes, the whole state knows everything.”

He says he was nervous as heck doing that first radio show. “But as the Sundays went by, I got more relaxed. Just like playing a dance, once you pick up your instrument, tune up, count off one two three, here we go, you get into the music and the nervousness goes away,” he says.

He has always done the show in English, interjecting Czech when announcing song titles. “I knew if I switched to Czech, I’d lose some of the audience,” he says. “It’s a shame really, because Czech is a very expressive, beautiful language.”

Listen at kmil.com
Alfred’s show has expanded to two hours and 15 minutes on Sundays from 12:15 to 2:30 p.m. on KMIL Cameron, which is now 105.1 FM.  He has had some of the same sponsors for many years, such as SPJST, Slovacek Sausage and the oldest – Anderle Lumber Company in Cameron. He credits the success of the program to the loyal listeners who enjoy the music and many who he connects with on a farming level.

“I have always tried to be myself. Anything you do, it’s important to be yourself. I come from humble beginnings, picking cotton and pulling corn. On the polka show, I talk about farming. When we played at dances at Lodge 88 and Bill Mraz, many of the people there had settled in Houston from farming communities in the Praha-Shiner area. I would sometime ask, ‘How many people here have picked cotton?’ Always lots of hands went up.”

Alfred is usually a regular at jams these days and he has sat in with the Red Ravens a few times last year. He and Bernice also like to attend dances to, well, dance. He doesn’t always bring his accordion but if asked, he’ll pick up one of the band’s and join in on a song or two. “I enjoy playing. Now I don’t have to worry about being a bandleader. I don’t have to set up the sound system. It’s great,” he says.

Alfred’s favorite polka is The Bandleader Polka, which he plays to open his radio show. Favorite waltz is At the Spring. And he likes classic country such as Ray Price and Merle Haggard. “Classic country is just good dance music. It fits polka bands real well. Back in the ‘50s we wanted to incorporate something to entice more young people to come to the dances. We were one of the first polka bands to have electric bass and play country tunes,” he says.

When asked how many times he has played A Ja Sam, he just laughs and says, “A whole lot. It’s the standard polka.”

No Fans Like Polka Fans
Alfred says the outlook for polka is good. “We have a lot of young bands coming up. The music is going to stay a long time. Mollie B has done a lot to bring polka to the forefront on a national level,” he says. “Now, we just need more of the young people to come to the dances. Back when we started playing, whole families would go to dances. Now, there’s so much going on, it’s hard to get families together at a dance.  However, there are a number of places that do a good job of pulling in the young folks.”

It all starts with the love of the music, he says. “No other form of music has an audience like polka. They are so loyal and appreciative. We never got rich, but we made a lot of friends, and to the end that’s what counts.  In the Vrazel Band, Anton and I had a great group.  Good musicians, good Christian people, and I hope it showed on stage.”

So is Alfred expecting another pomaly year in 2015? “It will be hard to top last year when I got that phone call telling me I had been chosen for the hall of fame. It really caught me by surprise,” he says. He and Bernice would  like to go to Chicago this year to visit the International Polka  Music Hall of Fame Museum to “see what’s what” and check out his plaque, which, thanks to Alfred and Bernice, also has a copy of the Texas Polka News October 2014 issue next to it, that carried the story about the induction ceremony.  The couple also hope to spend more time with their daughter, Cindy, and grandchildren, Matthew and Jessica.

He plans to continue the radio show, farming and ranching and to Polka On! “Let’s keep supporting the music, bands and dance halls. Let’s keep it going.”

SqueezeBox Farewell Tour Includes Texas

By Theresa Parker

I think I speak for all Texans in wishing Ted and Mollie the best and know that they will be successful in whatever direction life leads them. Photo by Mark Hiebert.

I think I speak for all Texans in wishing Ted and Mollie the best and know that they will be successful in whatever direction life leads them. Photo by Mark Hiebert.

Mollie B and Ted Lange will waltz across Texas one last time as the band SqueezeBox Jan. 15-18. They start with a dance in Hallettsville on Jan. 15, then visit the snowbirds at the Mission Bell RV Resort in South Texas on the 16th. They head north to Granger on the 17th, then end their tour in Houston on the 18th.

The tour will be bittersweet for the band and their fans. Mollie and Ted announced in August that they will no longer be performing together after the Southern Tour ends Feb.1 in Holiday, Florida. They have taken on one engagement in Georgia after February, but as of now, that is the only performance they are doing together. 

SqueezeBox began in the late 1990s as the Bratwurst Boys, which was a spin-off band consisting of members of the Grammy-nominated Toledo Polkamotion. In 2005, band members were Ted Lange on accordion/bass and vocals, Dave Burner on drums and vocals and Ted’s mother, Betty Lange, on second accordion.

Mollie Busta added her talents in 2006, and in 2007, they changed the name to SqueezeBox. “It has been quite a journey,” Mollie says. “Starting with 10 gigs a year and building up to 100-plus gigs in 20-plus states each year has been exciting and rewarding.”

Ted agrees. “We have met some of the greatest people all over the U.S., and it has provided us with many great memories!”  

He says the band’s success was a musician’s dream. “I’m still in awe when I look at what we have achieved. I’ve also been blessed to work with other great musicians who have performed with us through the years, and of course, my wife, Mollie, who is one of the hardest working and most talented people I know,” he adds.  

SqueezeBox did not fit the mold of the average polka band, which can make it a little harder to be accepted,” Mollie says. “That was NOT the case in Texas. We were not only accepted, we were embraced. Texans sure know how to make a Northern girl feel loved.” 

At the present moment, it is not clear exactly what will happen to Squeezebox . Mollie intends to keep the Mollie B Polka Party going on RFD-TV and will resume performing again. “I just don’t know with who, when or where, but hopefully I will have performances in Texas again,” Mollie says. No word yet on Polka Party taping locales for the future.

Ted says it’s time for a break. “We’ve been working at a break-neck pace for the past four-plus years, and that takes its toll physically and mentally when you’re running your own business, and trying to balance that with family time and everything else that life throws your way,” he says. “I intend to take several months off to reorganize and work on some other projects. Beyond that, I know that I will be performing in some capacity.” 

Ted has not ruled out a return for SqueezeBox. “Maybe after some time off we’ll be prepared to pursue our performing careers together again, but I also have not ruled out forming a new band or bands and moving forward from where SqueezeBox left off.”  

Mollie says she’s taking things a day at a time. “The uncertainty of the future is a little uneasy, but I keep reminding myself, God’s got this,” she says. “I wish continued success for all polka bands and for Ted. And to all you polka fans, keep the support coming for the polka music and bring your friends out to dances. Polkas are alive and well in Texas. Keep them that way!”

New Release: Fritz Hodde and the Fabulous Six

Fritz and the Fab Six Continue the Journey

By Theresa Parker

Fritz and the boys celebrated the band's 50th anniversary with a party at SPJST Lodge 18 in Elgin in September 2013, and just recently released a CD – Fritz Hodde’s 50-Year Journey with The Fabulous Six. The band chose the songs to record based on what their fans request the most at dances.  While it’s difficult to record all songs requested on one CD, we recorded a few on this CD and will select others on the next CD.  We do try to record new songs for each CD, as well, in hopes that they might become synonymous with our group’s name.  Others may have recorded the same song, but we hope that people might like our rendition of ‘The Fabulous Six’ style,” Fritz says.

Fritz is the only original band member still playing after 51 years. His son, Scott, joined in 1984. Russell Kalkbrenner became a member in 2002; Scott’s son, Brandon, in 2005, and Gary Greener, joined the group as the drummer last year although he sat in on occasion for about four years. Gary is also a good dancer, as he and his fiancé, Kara Walker, were voted King and Queen of this year’s National Polka Festival in Ennis.

Although the group numbers five, they decided to keep the Fabulous Six name to honor those who have gone before them. 

“After losing many band members over the years, we decided we wanted to continue with our trademark, the original name The Fabulous Six,” Fritz says.

One band member they’ll never forget is George Strmiska. George played for years with the Vrazels then became one of the Fabulous Six, playing from 1998 to 2002. George passed away in 2003. “One of the songs chosen for this CD - I Told a Lie to My Heart - is dedicated to George.  His guitar playing was remarkable and Brandon, following in George’s footsteps and loving George’s musical ability while playing guitar, did a great job emulating George’s unique style on this song,” Fritz says.

Fritz is happy that his son and grandson are continuing the polka band tradition. “Not only do they exceed my musical ability with all of the instruments they play, but both have excelled in the pronunciation of the Czech language and we couldn’t be more proud. I respect and admire their many talents and I’m proud and honored to share the stage with them,” he says. 

Brandon has also produced his own CD – All By Myself (A JA SAM) – in which he plays and sings all parts. He has also gotten some of his polka buddies together to form a new band - The All Around Czechs. Their debut performance is set for Saturday, December 13, at Sefcik Hall in Temple.

Over the years of performing, Fritz has noticed the generation gap among the dancers widening. “But we are very proud to see the younger generation’s involvement of late to help carry on the polka tradition.” 

One thing that hasn’t changed are the band’s fans, he says. “We have maintained quite a few loyal followers over the years that have always been there for us and we are proud to call them friends.” 

Fritz Hodde 50 Years CD.jpg

Fritz Hodde and the Fabulous 6
Fritz Hodde’s 50-Year Journey with the Fabulous Six
15 tracks: 6 polkas, 5 waltzes, 4 country
Polkabeat faves: Who’s Gonna Love You Polka, Grinders Polka, Katherine’s Waltz, I Told a Lie to My Heart

Brandon Hodde CD

Brandon Hodde All By Myself (A Ja Sam)
15 tracks: 8 polkas, 6 waltzes, 1 country
Polkabeat faves: A Ja Sam, El Golpe Traidor, Isabella Waltz

Available: Polka On! Store

Bobby Flores: The Consummate Musician

By Gary E. McKee

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Bobby Flores was playing, on a Thursday evening, at the Farm Street Opry in Bastrop. This is a musician who very recently, was inducted into the Country Music Association of Texas Hall of Fame. Bobby is now in the company of Willie Nelson, Clint Black, Little Joe y La Familia, Bob Wills, Ray Price, Johnny Rodriguez and George Jones, just to name a few. He has a Grammy Award hanging on his wall; yet he was performing a solo show, at a homegrown venue for a crowd of approximately 140 fans who paid a five-dollar admission fee. Why would he do this, you might wonder?

            The answer lies in the path of Bobby’s life. At the age of seven, he started singing gospel duets with his mother around the San Antonio area. In 1971, at the ripe old age of nine, he began playing guitar professionally with George Chambers and the Country Gentlemen, a popular Texas band. The crossover from gospel venues to honky-tonks was fairly easy, as his parents had frequented the family friendly icehouses with Bobby in tow.

            The 1970s saw Bobby fronting his own band, playing any venue that would book them. His fan base began to grow and the “buzz” in the music industry was that this young man had the vocal and instrumental licks to move forward careerwise. Bobby, with different bands, began opening for stars such as Conway Twitty, Johnny Rodriguez and Tanya Tucker. By performing with different bands, styles and venues, Bobby was being exposed to many different facets of musical styles and learning the “music business.”

            In 1980, Bobby was the show opener and fiddler in Johnny Bush’s band, the Bandoleros. When Bush’s band disbanded, Bobby headed in two different directions; one to spend several years in pop, blues and rock and roll bands. The other direction was to pursue his love of classical music. He began formally studying music theory and classical violin, while performing with the Trinity University Community Orchestra. Bobby’s love of classical music was evident when he was asked what was on his stereo when he arrived in Bastrop to perform Bob Wills and Western Swing music; his answer was Rachmanioff.  Sergei Rachmanioff was a renowned Russian classical composer and pianist who died in 1943 at the age of 70.

            Bobby Flores is the master of many instruments: fiddle, violin, guitar, mandolin, keyboard sequencing and bajo sexto (a 12-string guitar). He next is thinking of tackling the banjo.

            The fiddle is his main instrument and when asked who living or dead he would like to play a duet with, he mentally went through the short list of great fiddlers and came up with Tommy Jackson, a session fiddler in the 1950s and 60s. If you ever heard a Hank Williams, Bill Monroe or George Jones recording, you have heard Jackson. Jackson also played in Ray Price’s band, in which Bobby filled his position for 14 years. Ray Price was Bobbie’s choice to be able to sing a duet with again.

            During this time, Bobby’s prowess as a fiddler and his skill as a recording session arranger made him in high demand as a studio musician and producer. The demand for his talents reached the point where he was in three different recording studios a day. This demand, while financially and musically fulfilling, took its toll on his energy. The solution was to found his own recording studio, Yellow Rose Recording Studio, along with his own label Yellow Rose Records, which in 2007, was named Independent Record Label of the Year by the Academy of Western Artists.

            One of Bobby’s most proudest accomplishments is not any of the numerous awards that have been bestowed upon him, but the music school he founded, Bulverde Academy of Music (BAM!). BAM! only accepts budding musicians that are disciplined and serious about growing their musical abilities. At the academy, top notch musicians, such as accordionist Joel Guzman work with students in an individualized flexible program (not rigid) while teaching them theory and musicianship with a focus on live performances. This fall BAM! took the students on a small concert tour around San Antonio to give them a taste of what it is like to perform in front of strangers. Bobby himself teaches fiddle, guitar, mandolin, steel guitar, Dobro and violin. This reporter had to ask what differentiates a fiddle from a violin? “The way the same instrument is played,” Bobby replied.

            Interesting facts about Bobby: former instructor and owner of the Blanco Tae Kwon Do Academy; his last “day” job was a machinist in his dad’s shop, but he quit after realizing he could lose a finger or more; Bobby has had only one formal singing lesson approximately three years ago; he attempts to keep his personal spaces void of harmful chemicals; and he contributed heavily to the soundtracks of two movies featuring Tommy Lee Jones.

            In a great example of life coming full circle, Bobby began his career singing gospel and now will have a Gospel recording coming out soon, that features both well-known traditional songs and highlights one of the best gospel singers, Dottie Rambo.

            Bobby’s successful career has always been about giving a great performance to the people who have followed him through the years, and that is what he gave to the small crowd that night in Bastrop.

Cleveland Invasion!

By Theresa Parker

The Frank Moravcik Band and the Chardon Polka Band are ready to invade the Texas polka scene with music of the Slovenian kind - one traditional and one with attitude. Here's an excerpt of articles featured in the print edition November 2014 issue of Texas Polka News. Click here to subscribe to the newspaper.

                                         &nb…

                                                                    Linda Hochevar and Frank Moravcik 

Frank Moravcik to Bring Cleveland Polka to Texas
Are you ready for some Cleveland-style polka? Ohio, that is. You will have two chances to hear one of the best bands from up north right here in Texas in November.  The Frank Moravcik Band will play Saturday, Nov. 8, at the SPJST Lodge 88 in Houston, and on Sunday, Nov. 9, at historic Sefcik Hall in Seaton. I had a chance to talk to Frank as he traveled to New Jersey for a Saturday night dance and asked him what he likes about playing in Texas.

“I like the people a lot,” he said. “And the music. When I had a polka show on WERE in Cleveland, I based it on Czech-style music in Texas. I played a lot of Dujka Brothers, Praha Brothers, Vrazels. I like the way they incorporate the country and western swing with the guitar lead.”

Frank said he had a big positive response to it since it was different from the traditional Cleveland bands with a faster tempo and lots of brass and tuba. He had to give up the polka show because he was playing every weekend and it became harder to find the time to record the show between that and his day job of writing computer programs for robotic equipment. A true hero of mine, he also quit his day job to devote himself full time to his music.  “Yeah, but they called me back and said, ‘We could really use you,’” he said. “I told them I had to be on the road a lot with my music, but they said that was okay, to take off whenever I needed to.” Sigh, I said.

Anyway, Frank’s band in Texas will feature his girlfriend, Linda Hochevar, who plays button box, a guitarist and drummer. He has recorded several CDs and I asked which ones he would recommend for Texans who may not have heard his music before. “I think they would like ‘Play that Accordion’ and ‘Land of Dreams.’ There are a lot of Czech tunes on both of those.”

In addition to his appearances in many states including Texas, Arizona, New York, New Jersey, Pennsylvania and Michigan, Frank has traveled the world to play in Germany, Amsterdam and on Caribbean cruises. He and Linda have another cruise coming up on March 7-14, 2015, that will include their friend Tony Klepec, a button boxer with a smooth Slovenian style.

Frank and his band played at Sefcik Hall last year with Czech & Then Some, and was glad to see polka lovers in their 20s and 30s at the dance. “Texas is doing really well with drawing a younger crowd to the dances. It’s great to see,” he said.

Be ready to give the Frank Moravcik Band a big Texas welcome on Nov. 8 and 9. And don’t worry country music fans, Frank promises to play some tunes by Eddie Arnold and George Strait and throw in some Elvis and Jerry Lee Lewis.

Chardon Polka Band - Joe Dahlhausen (drums), Emily Burke (sax), Jake Kouwe (accordion and band leader), Paul Coates (tuba/bass) and Mike Franklin (banjo).

Chardon Polka Band - Joe Dahlhausen (drums), Emily Burke (sax), Jake Kouwe (accordion and band leader), Paul Coates (tuba/bass) and Mike Franklin (banjo).

Chardon Polka Band Ready to Feel the Texas Love
One of the hottest new groups to hit the national polka circuit is the Chardon Polka Band from Cleveland, Ohio.  Texas polka fans will get two chances to see the band – at Wurstfest in November and the Tomball German Christmas Market in December.

After wrapping up photography sessions for the band’s reality TV show, Polka Kings, set to debut next summer on REELZChannel, and a worldwind tour with gigs in St. Louis, Tulsa, Indianapolis, Bethlehem, Penn., and Hunter Mountain, NY, Bandleader Jake Kouwe and I corresponded via email.

His first comment was, “We are so excited to be coming to Texas! We have heard nothing but good things about the Texas polka crowds. There are so many great festivals there. We cannot wait to burst onto that scene. Texas is rich with ethnic flavor. We love a crowd that is enthusiastic about polka,” he said.

The band will be making the trip in their old Ford van.  “It's big and ugly and makes some noises once in a while. It's cozy though. It may be a piece of junk, but it's our piece of junk!,” Jake said.

Jake’s roots are Dutch and he said his family was not active in the polka scene when he was growing up.  “But we were always big Lawrence Welk fans!”

Jake actually started the band in high school, calling it the Chardon High School Polka Band, 10 years ago.  Uncool? Guess not, since Jake was voted homecoming king his senior year. “We were a cheerful and sprightly bunch,” he recalled.

Why start a polka band? “I just love polka! It’s happy music. Artists like Brave Combo (Denton) and The Polkaholics (Chicago) allowed me to dream big and visualize putting my own spin on it. I think everyone in our group has a different way of seeing things musically. I believe we bring a lot to the table that hasn't been done with the genre before,” he said.

The band has three CDs and Jake recommends Fistful of Polka for those Texans who haven’t heard their music before. “I think it’s the best example of our work, but it depends on what you’re into.”

Jake admits he would rather play music than be the subject of a reality TV show, but he says the band is having fun with it. “It should be a fun show and hopefully shine a lot of light on out music and the polka community as a whole.”


Are You Ready for the Wurst?

By Theresa Parker

Alex Meixner is. The Grammy-nominated Tasmanian devil of the polka world will once again do the honors of opening Wurstfest on Friday, November 7. The Alex Meixner Band will perform at the fest through November 13 and will feature the usual suspects - Ed Klancnik on drums, Mikey Kramar on horns, strings, accordions and things, and Hank Guzevich on horns, guitar and Polexican shuffles, as well as Canadian National Accordion Champ Michael Bridge for the weekend gigs.

Alex Meixner and Michael Bridge at last year's Wurstfest. Gary E. McKee photo

Alex Meixner and Michael Bridge at last year's Wurstfest. Gary E. McKee photo

Since Alex spends a great deal of his life on the road, it was cool to catch him at home waiting for the cable guy to chat about Wurstfest and other polka stuff.

Polkabeat: Anything new for Wurstfest?
Alex: Yes! [Please note: this will be the last exclamation point I’ll use. Everything Alex says has an exclamation point.] I will be doing an extra show at the festival on opening Saturday (November 8, 2:10 p.m.) at the new venue - Stelzenplatz - with my good friends, Max Baca and Los TexManiacs. This two-time Grammy Award-winning conjunto group will be performing repertoire which has roots in Germany and Austria before developing in Mexico and the southwest USA. I'll be playing a few songs with the band, as Max and I have been recording together for the last few years and always look forward to collaborating together. (While the Czech pronunciation of Baca is “Bacha,” the Mexican pronunciation is “Baka.”)

Polkabeat: Tell us more about Los TexManiacs.
Alex: Max Baca is the premier bajo sexto player on the planet. (Bajo sexto is a 12-string guitar-like instrument.) Max is featured on my Polka Freakout CD and he has recorded with Flaco Jimenenz, Los Lobos, Original Texas Tornados and even the Rolling Stones (Voodoo Lounge CD). The group also features Max’s nephew, Josh Baca, on accordion. I’ve known Josh since he was an eight-year-old punk and now he’s 20-something and is one of the best three-row button box accordion player I’ve ever heard. They are just a great family.

Polkabeat: You and Max are working on an album together, right?
Alex: Yes, actually for the past six years. We hit the recording studio when we can. The music gets back to the roots of conjunto music from when Germans, Austrians and Slovenians settled in Mexico. It honors the music legacy of our grandfathers and fathers, and brings it full circle like the performance we’ll be doing at Wurstfest.

Polkabeat: Your new CD is called Happiness Is a Choice. Why did you choose that name
Alex: Because I truly believe happiness is a choice and I think it sends a positive message.

Polkabeat: Who did you work with on the CD?
Alex: The title track is a collaboration with Reggae singer and composer Carlton Pride, son of Country legend Charley Pride. I also co-wrote a song with Michael Morris (drummer and vocalist from Seaton, TX) called “Let’s Go Ask the Band,” a fun polka with a country twang. Hector Saldana of The Krayolas and I co-wrote a pop song, “Sally,” and Michael Bridge is featured on the Latin-flavored “El Cumbanchero.” You can also hear accordion virtuoso Randy Koslosky (from Pittsburgh) on several tunes, including a great new German/Irish-styled drinking song “Why Die Thirsty?”

Polkabeat: Why die thirsty? Isn’t that your mantra?
Alex: Yes. Randy wrote that song. He always heard me say at performances, “If you drink, you’re going to die. If you don’t drink, you’re going to die. So, why die thirsty?” He sent it to me just as we hit the studio in San Antonio to record the CD. We quickly came up with an arrangement and now it’s one of the most requested songs on tour.

Polkabeat: What is the most requested song?
Alex: “Amazing Grace.” It’s performed on a hoseaphone and begins as a solemn performance and ends with screaming trumpets.

Polkbeat: The CD also has a family connection, right?
Alex: My daughters Zoey (age 7) and Kayla (age 4) are featured on “Pipihenderl,” a fun Austrian yodeling song. And Zoey also did the watercolor for the CD cover, which has led to production of a hat pin and t-shirt. I am very proud.

Polkabeat: Why die unhappy?
Alex: Exactly. So much of world is divided among politics, religion, cultural and ethnic differences, but when you adopt a positive attitude, you realize we have more similarities than we think. That’s what I like about polka. The music tends to bring people together. People smile and instead of slinging cheap shots at each other, they stop and say, “Hey man, let’s drink a beer together.”

(Hmmm, this could be the start of the Alex Meixner for President Campaign sponsored by the polkabeat party.)

Polkabeat Buys Texas Polka News; Publishing to Resume in September

Polkabeat Inc. has purchased the Texas Polka News.  The transaction was completed on July 26 and the first issue under the new publisher, Theresa Cernoch Parker, is expected in September. 

The newspaper was started 26 years ago by musician and polka promoter Julius Tupa of Houston as a way to provide dance enthusiasts with a monthly schedule of events and the latest news of the Texas music scene.

When Julius Tupa passed away in 2002, his friend, John Rivard, became the editor of the newspaper with Tupa’s wife, Marie, at the publishing helm.  The monthly newspaper has grown to have almost 2,000 readers, not only in Texas, but across the country. 

Theresa Parker, Gary E. McKee and Marie Tupa toast the sale of the Texas Polka News with Shiner beer and kolaches.

Theresa Parker, Gary E. McKee and Marie Tupa toast the sale of the Texas Polka News with Shiner beer and kolaches.

“I am happy to announce the sale of the paper and see Julius’ legacy live on,” said Marie Tupa.   “I can’t thank John enough for his dedication and friendship over the years. And I can’t think of a more fitting person to take the publication to the next level than Theresa.  She grew up around polka and continues to promote the music, bands and dance halls through her website.”

Cernoch Parker founded polkabeat.com in 2010 to honor the memory of another polka lover, her father, Willie Cernoch, originally from Dubina, Texas.  The website provides monthly listings of dances and festivals, as well as news, photos and videos from events. The site also has a Polka On! store featuring polka apparel, accessories, gifts and CDs/DVDs.  More than 1,200 subscribers receive a weekly e-newsletter featuring the weekend lineup of events in Texas. 

“I know Julius and my dad are looking down on us with a smile. The two of them were good friends who thought polka was the best music genre ever.  The Tupas and John have provided a wonderful service to Texas music fans over the years and I am honored to be given the opportunity to continue in their footsteps,” Cernoch Parker said. 

Cernoch Parker is also pleased to announce that Gary E. McKee of Fayetteville, Texas, will serve as editor of the paper. “Gary’s photojournalism and writing skills have been crucial to the success of polkabeat.com.  I look forward to working with him as we help readers of Texas Polka News polka on.”

Click here to subscribe or renew your subscription. For more information on advertising in the Texas Polka News, email theresa@polkabeat.com.